Lend Me A Tenor Opens March 7
Thursday, February 28th, 2008Victor Blecharczyk believes he has his dream role in M-ACT’s upcoming comedy Lend Me a Tenor. “I am notorious for not getting my lines learned quickly! As the bellhop, I only have a couple of lines and everything I do is supposed to be funny. Who could ask for a better gig?”
Blecharczyk has provided the comic relief for a number of shows since he began performing with Marysville Area Community Theatre in their first musical, Oklahoma, 25 years ago.
“Yeah, fluff out his hair, turn him loose, and step back,” said Director Carla Wolfe, “You know what WC Fields said about never working with children or animals—because they will steal the scene. Well, the same thing happens when Vic makes an entrance. It’s like the audience is waiting to see what he will do next!”
Although Belcharczyk’s comic antics may be the draw for many theatre-goers, there is much more to recommend Lend Me a Tenor which will be performed Friday and Saturday evenings, March 7 and 8 at 7:30 and Sunday afternoon, March 9, at 2:00 pm.
Scott Shimizu, of Fullerton, CA describes the plot this way: “Imagine that your fiancée is in love with another man, you can’t overcome your nerves to show the world your talent, and you’ve accidentally killed the greatest opera star that ever lived. So goes the life of Max (played by John Bannister). For Max, life was already hard enough. His would-be fiancée Maggie (Pat Breeding) desires one more fling, his uptight boss Saunders (Wayne Kruse) constantly berates him, and the world remains ignorant of his ability to sing - mainly because he tenses up whenever he tries. But when Tito Morelli, the famous Italian opera star (Greg Marples), arrives, Max’s world is turned upside down. Tito teaches Max to relax, allowing Max to finally sing the way he always desired. When Tito is knocked unconscious by a double dose of sedatives, Max must perform for him.”
“With seven Tony Award nominations, Lend Me a Tenor, written by Ken Ludwig, is a hilarious, wild romp of mistaken identities, desperate measures and compromising positions set in the delightful period of the 1930’s.”
This play contains some adult content which might not be suitable for young children.

